Photo credit: Scott Tsuchitani
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INSTALLATION & INTERVENTIONTo Be Paid
2014 YBCA wall, art hanging hardware with nails, Durabond joint compound (5 min set), Westpac Fast Set Patching Compound, Fix-It-All, drywall, YBCA hammer, paint-covered paper (blank check from YBCA, printouts of email correspondences between museum and artist to establish trust, photocopy of driver’s license and social security card, photocopy of I-9, and photocopy of W-4), mason line string, labels with thread, numbered gallery pins, striping tape, painter's tape, furniture wrap, plastic drop, paint, graphite, ink All materials were acquired at Yerba Buena Center for the Arts. untitled ((twice removed, (to be paid))
2014 YBCA, wall, joint compound, p-8, screws, graphite This reinterpreted piece was created by an anonymous art preparator reusing the remnants from To Be Paid. PERFORMANCES
To Be Paid Performance 1 2014 Private performance for the museum staff at Yerba Center for the Arts in San Francisco, California on July 14–17, 2014 To Be Paid Performance 2
2014 Art preparator, Elisabeth Ajtay performs for Aurora Crispin–the curator and Terrance Graven–the installation artist at Yerba Buena Center for the Arts in San Francisco, California on September 3, 2014. |
